By Carol Tator
In this considerate and lucid research, framed via their competition that 'cultural creation is one method during which society supplies voice to racism,' Carol Tator, Frances Henry, and Winston Matthis learn how six debatable Canadian cultural occasions have given upward push to a brand new 'radical' or 'critical' multiculturalism.
Mainstream tradition has more and more develop into the locus for problem through racial minorities. starting with the Royal Ontario Museum's Into the center of Africa exhibition, and following via with discussions of exhibit Boat, leave out Saigon, the exhibition of the Barnes assortment on the artwork Gallery of Ontario, the 'Writing through Race' convention in Vancouver, and the ill-fated makes an attempt to obtain a licence for a black/dance radio station in Toronto, the authors learn manifestations of racism in Canada's cultural construction over the past decade. A 'radical' multiculturalism, they argue, is distinction as a politicized strength, and arises each time cultural imperialism is challenged.
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Additional info for Challenging Racism in the Arts: Case Studies of Controversy and Conflict
As it does for all major exhibitions, the museum set about marketing the event among those who would have the most interest in attending. On the assumption that the Black community would want to attend the exhibition, it hosted a reception in June to which it invited (among others) individuals involved in the arts in the Black community - specifically, the AfricanCanadian community. A consultant, a Black woman named Sandra Whiting, was hired to help publicize and market the exhibition and to facilitate outreach to the Black community.
Power both enables and disables; it allows or denies individuals and groups opportunities and possibilities for self-realization and group recognition. Power also involves challenging the authority of mainstream cultural producers and cultural institutions. The struggle for power is to be seen in the context of the empowerment of individuals and communities, rather than 'power over' any group. This is a crucial distinction. Ethnoracial minorities are searching for ways to preserve control over their own lives, and the lives of their communities.
Common sense' everyday discourse in the media generates images that reinforce cultural racism. ' 'We' includes members of the White mainstream, who are law-abiding, fair, progressive, rational, unemotional, and homogeneous, and who value and are committed to the values of a liberal democratic society. The 'others' represent the opposite of these attributes; 'they' challenge our most cherished principles and ideals (Shohat and Stam, 1994; Omi and Winant, 1993; van Dijk, 1991). These images help sustain White group dominance.