By Simon J. Bronner
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Extra resources for Crossing the Line: Violence, Play, and Drama in Naval Equator Traditions
J. ), Verhalen van het Water: Scheepvaart en mensen in de twintigste eeuw (Amsterdam: Stg. Jahrhunderts: Aspekte der Gewalt in einem berufsspezifischen Initiationsbrauch,’ in Rolf W. ), Gewalt in der Kultur (Passau: Universität Passau, ) -. Heike Dusberg, ‘Äquatortaufe und Containerschiffe: Ein maritimer Brauch im Wandel der Zeit,’ Kieler Blätter zur Volkskunde () -. Arnold van Gennep, The Rites of Passage, trans. B. Vizedom and G. L. Caffee (Chicago: University of Chicago Press, ); Barbara Myerh- .
Anthropology and American Life (Englewood Cliffs, NJ: Prentice-Hall, ) -. ’ Hersh, ‘Crossing the Line,’ . An example of a customary dialogue for the reception of Davy Jones is in Leland P. Lovette, Naval Customs: Traditions and Usage (Annapolis, Maryland: United States Naval Institute, ) -. Ibid. Although not frequently reported, this feature is described by several informants in Zeeland, Sailors and Sexual Identity, -, , , , , , , . See also Hersh, ‘Crossing the Line,’ .
The occasion was the passing of the area of what mariners call ‘the Raz’, a cape on the Brittany coast at a point it juts out toward the open waters of the Atlantic between the English Channel and Bay of Biscay. It was, as the equator was perceived, a socially constructed line dividing ‘here’ and ‘out there,’ home on land and away at sea. The French, he reported, performed a ceremony, ‘which at this passage, and some other places, is used by the Mariners, and by them called Baptism’: The Masters Mate cloathed himself with a ridiculous sort of garment, that reached unto his feet, and on his head he put a sutable Cap, which was made very burlesque.